This latest drawing was based on one of my favourite photographs. The image was taken at a local park, with the poppy and foliage beautifully backlit by the fading sunshine. It is the most challenging piece that I have worked on in coloured pencil and took a long time to complete. The difficult areas were trying to capture the different focal points, the contrast between light and shade, and especially drawing all those tiny hairs on the stems and buds!
My latest artwork “Centre Stage” was completed a few months ago and was inspired by a beautiful bed of tulips and pansies at a local park – they captured my attention shimmering in the afternoon light. It is the first time that I have tackled such a complicated background but I enjoyed the challenge, especially in drawing the out of focus areas. These require careful blending on the edges of each shape.
My drawing was selected to be published in the 5th volume of “CP Treasures: Colored Pencil Masterworks from Around the Globe” which was released earlier this month. It is an amazing compilation of coloured pencil works from artists around the world and the book features a wide variety of subject matter utilising different techniques and surfaces. If you would like to purchase a copy you can go to Ann Kullberg’s website here.
I also entered this piece in the Australian Society of Coloured Pencil Artist’s Annual Colourbrations Exhibition and was thrilled to receive an “Honorable Mention”. You can view the online exhibition and award winners here. I was asked to contribute a short article to their December newsletter.
I’m looking forward to the year ahead – I have started on my next floral piece and then I hope to try some different subject matter and attempt some still life pieces. Happy New Year!
I have just finished a new drawing of some orange clivia flowers from a reference photo I took at a local park. It was completed in a relatively short time for me, having started a couple of months ago. I am still finding blurry backgrounds a challenge, but with lots of patience and careful blending, I think I am slowly getting there.
This drawing is one of two pieces that have been accepted into the ‘Petite Pieces’ exhibition at Aspire Gallery in Brisbane. The exhibition opens on 1st February and features smaller works up to 40 cm x 40 cm.
A couple of years ago, I was honoured to be asked to develop a step-by-step tutorial for two floral drawings on drafting film. It was a daunting prospect as I haven’t done anything like that before, and I wondered if I would be able to adequately describe all the processes that go into creating an artwork. I decided to give it a try and I chose close up views of a red poppy (see previous post) and a pink dahlia, using Faber-Castell Polychromos pencils.
Having two jobs, it took me a long time to do, but it was finally released last week on Ann Kullberg’s website. The project kit includes information on drafting film, tips and techniques, lists of supplies and colours used, the reference photos, thirty scanned steps in total, and line art to trace for both drawings. It is available for sale as a PDF download or in print form for $12.99 (US) here.
Be sure to check out Ann’s website for some great resources for coloured pencil lovers!
Poppies are one of my favourite flowers. They come in bright beautiful colours and I love seeing a large bed of poppies swaying in a gentle breeze. I have just completed a red poppy on drafting film and took a lot of reference photos at a local park.
The poppy has long been associated as a symbol of many things, including eternal sleep. The red poppy is known to signify wartime remembrance so it seemed timely to title this drawing ‘Remembrance’ with the Anzac Day Centenary this coming weekend.
A small way of honouring those who have served Australia and New Zealand in wartime since that historic landing at Gallipoli, Turkey on 25th April, 1915. “Lest We Forget.”
A friend from high school visited recently from Sydney and we spent a lovely day drawing together and catching up on our art adventures. Alissa has been sketching nearly every day over the past five years and has filled over 35 watercolour Moleskine sketchbooks. What an impressive collection! She works primarily with her favourite L’Amy Joy pen and Faber Castell and Derwent watercolour pencils. You can visit her blog site here
We have completely different styles but I so admire the looseness, immediacy and freshness in her drawings, whereas it takes me so long to complete something! Her motivation inspires me. It was wonderful to share art ideas and to just talk to someone about “papers and pencils”. The day brought back fond memories of our drawing sessions after school and on weekends.