My latest artwork “Centre Stage” was completed a few months ago and was inspired by a beautiful bed of tulips and pansies at a local park – they captured my attention shimmering in the afternoon light. It is the first time that I have tackled such a complicated background but I enjoyed the challenge, especially in drawing the out of focus areas. These require careful blending on the edges of each shape.
“Centre Stage” Faber-Castell Polychromos & Caran d’Ache Luminance on Drafting Film 8.5″ x 7″
My drawing was selected to be published in the 5th volume of “CP Treasures: Colored Pencil Masterworks from Around the Globe” which was released earlier this month. It is an amazing compilation of coloured pencil works from artists around the world and the book features a wide variety of subject matter utilising different techniques and surfaces. If you would like to purchase a copy you can go to Ann Kullberg’s website here.
I also entered this piece in the Australian Society of Coloured Pencil Artist’s Annual Colourbrations Exhibition and was thrilled to receive an “Honorable Mention”. You can view the online exhibition and award winners here. I was asked to contribute a short article to their December newsletter.
I’m looking forward to the year ahead – I have started on my next floral piece and then I hope to try some different subject matter and attempt some still life pieces. Happy New Year!
I am honoured and thrilled to have the drawing of my orange clivias featured in the gallery section of the April issue of Colored Pencil Magazine which is a monthly U.S. publication. I am sharing the page with a couple of beautiful botanical drawings. The magazine is always packed full of interesting articles, instruction and step by step tutorials, artist profiles, tips and ideas, and amazing works of art.
I have just finished a new drawing of some orange clivia flowers from a reference photo I took at a local park. It was completed in a relatively short time for me, having started a couple of months ago. I am still finding blurry backgrounds a challenge, but with lots of patience and careful blending, I think I am slowly getting there.
This drawing is one of two pieces that have been accepted into the ‘Petite Pieces’ exhibition at Aspire Gallery in Brisbane. The exhibition opens on 1st February and features smaller works up to 40 cm x 40 cm.
“Hidden” Faber-Castell Polychromos on Drafting Film, 10″ x 7″
A couple of years ago, I was honoured to be asked to develop a step-by-step tutorial for two floral drawings on drafting film. It was a daunting prospect as I haven’t done anything like that before, and I wondered if I would be able to adequately describe all the processes that go into creating an artwork. I decided to give it a try and I chose close up views of a red poppy (see previous post) and a pink dahlia, using Faber-Castell Polychromos pencils.
“Pink Perfection” Faber-Castell Polychromos on drafting film, 8″ x 7.5″
Having two jobs, it took me a long time to do, but it was finally released last week on Ann Kullberg’s website. The project kit includes information on drafting film, tips and techniques, lists of supplies and colours used, the reference photos, thirty scanned steps in total, and line art to trace for both drawings. It is available for sale as a PDF download or in print form for $12.99 (US) here.
Poppies are one of my favourite flowers. They come in bright beautiful colours and I love seeing a large bed of poppies swaying in a gentle breeze. I have just completed a red poppy on drafting film and took a lot of reference photos at a local park.
It certainly was a challenge drawing the blurred background and rendering all the detail in the centre of the flower but overall I’m happy with the result.
The poppy has long been associated as a symbol of many things, including eternal sleep. The red poppy is known to signify wartime remembrance so it seemed timely to title this drawing ‘Remembrance’ with the Anzac Day Centenary this coming weekend.
7.5″ x 7.5″ Faber Castell Polychromos on Drafting Film
A small way of honouring those who have served Australia and New Zealand in wartime since that historic landing at Gallipoli, Turkey on 25th April, 1915. “Lest We Forget.”
I have always wanted to draw a bowl of cherries. I had pictured in my mind a monochromatic still life with the cherries as the main focus, resting in a white bowl. One day I walked into a supermarket to purchase some…..couldn’t find them anywhere…..and instead walked out with a collection of round, baby chillies.
My work in progress is pictured below:
8.5″ x 7.5″ Luminance on grey Stonehenge
There are a few firsts for me in this drawing…..the first time I have used my lovely Caran d’Ache Luminance pencils, first time using Stonehenge paper as a support, and first time trying a complementary tonal underpainting (green under red).
The Luminance pencils are a soft, wax-based medium, and even though they are more expensive than other brands, I chose to try them out because of their excellent lightfastness. The leads are encased in California cedar and I find them light and comfortable to hold. It has taken a while to adjust to the paper, it seems soft and ‘spongy’ but appears to be quite durable and capable of taking lots of layers.
I think the paper doily that the bowl is resting on is going to prove to be a challenge and a test of patience!
A slow start to the new year with work commitments but here is the last drawing I completed in October, 2013, titled “Red Glow”, my second piece on drafting film. I took the reference photo of this beautiful red ranunculus and bud in a local park in the early morning light during spring.
8″ x 8″ Faber Castell Polychromos on Drafting Film
A lot of long hours went into this piece, it certainly was a challenge trying to achieve a soft focus effect in the background! The resulting drawing was submitted for possible inclusion in Ann Kullberg’s CP Treasures Vol II, a book to feature coloured pencil works from around the world. I was so happy to hear a couple of weeks later that it was accepted for publication – there were 600 entries and 81 were selected for the book which arrived in the mail from the United States just after Christmas. There is a wonderful representation of styles and subject matter and I am very honoured to be included alongside such talented artists. Ann wanted to feature a few of the faces behind the art in the January 2014 issue of her CP Magazine and she kindly invited me to be one of them.
CP Treasures Vol II book (left) CP Magazine article (right)
I also submitted “Red Glow” in CP Magazine subscriber’s 14th Annual Theme Show “Complementary Colors” which went online in November last year. You can browse through a wonderful array of coloured pencil works here.
I am so blessed and grateful to have had these opportunities. Back to the drawing board!